… The new Siegfried thus couples a majestic soundstage with a sumptious level of finesse and bloom to offer a musical experience that lingers in the ear long after the notes themselves have faded away.
– Golden Ear Award, Jacob Heilbrunn, The Absolute Sound, September 2013
I noted an absolutely intoxicating sound – effortless, smooth, captivating, and inviting, with outstanding scale, impact, and grace. The quietest passages of music exhibited the same delicate, confident strength as the loudest passages… Read the full report here…
– Stephen Mejias, Stereophile RMAF 2011 show report
…Did I have a favorite room at the show? Yes, the Brooks Berdan room that I visited after hours, and that paired the VTL Siegfried IIs with Wilson W/P Sashas, state-of-the-art dCS gear, and Cardas Clear cabling. (I did not hear the vinyl component in this room). It wasn’t the most neutral sounding room at the show, but it was a revelation. Not only was the soundstage awesome—okay, an overused word, frighteningly Valley Girl, yet entirely apt in this instance—with mesmerizing, all-enveloping images extending way up the ceiling, but the system also had the ability to reveal the inner emotion of music. What more can you ask for than a revealing, honest system than enables you to feel the heart and soul of the music, and share in the very act of creation? … Read the full report here…
– Jason Victor Serinus, Jun 2012, Stereophile, T.H.E. Show Newport report
Time and time again, I’ve had the good fortune of running into VTL’s Luke Manley just as I arrive at a show. It’s always a pleasure to chat with Luke and just as fun to listen to music with him. While his room often represents my very first chance to listen at any show, the sound he and his partners create is one that stays with me for the duration. That was the case again here at T.H.E. Show Newport Beach.
This time, we heard VTL’s Siegfried Series II Reference monoblock amplifiers ($65,000/pair) driving Wilson Audio Sasha loudspeakers ($27,900/pair). The linestage was VTL’s TL-7.5 Series III Reference ($20,000), and, for vinyl, VTL’s TP-6.5 phono stage… Tempo High Fidelity’s John Quick played an interesting track called “Oh Pretty Boy, You’re Such a Pretty Boy,” from Menomena’s Mines, and, before anything else, I heard the singer inhale. It was a brief moment, filled with potential. I knew right away that I was in for a treat. This music was alive. It was more than just the weight of the music, more than just the quick, agile, definite starts and stops, though those things were impressive, too. It was the sense of anticipation before each plucked string, each melodic twist and turn—a traction, force, and utter control that not only made listening exciting and enjoyable, but made me feel like an essential part of the music-making. This is a musician’s system. A music-lover’s system.
– Stephen Mejias, Jun 3, 2012, Stereophile, T.H.E. Show Newport 2012 report
… As with a system set up at THE Show Newport and the California Audio Show, top-level VTL electronics — including the Siegfried Series II monoblocks ($65,000/pair), TL-7.5 Reference Series III line stage ($20,000), and TP-6.5 Signature phono stage ($8500) — drove Wilson Audio speakers, this time the brand-new Alexia ($48,500/pair), to produce one of the show’s superior sounds. But that’s something of a misnomer, as this system was truly about the totality of the music, not the parsing of sonic traits … We spent the final hour of the show listening to this system with our music, as well as whatever Luke Manley and Bea Lam of VTL wanted to play. Analysis mode was disengaged, as we played everything from Randy Newman to Peter Gabriel, from János Starker to Keith Richards — either CD or LP. The system handled it all, sounding flawlessly adept with any kind of music. That was ultimately the impression we were left with — one of true musical proficiency and versatility.
“If any amps deserve the title “mighty,” it’s the VTL Siegfried IIs.” Read the full report here…
– Marc Mickelson, The Audio Beat, RMAF 2012 Show Report
… The IIs do every single one of these things better than the original Siegfrieds. And on a gestalt level, the IIs provide a sense of limitless power, musical/harmonic authority, and ineffable nuance.
…What I can tell you is that if you own the originals, then get the upgrade, even if it takes a(nother) mortgage. And, if you auditioned the original Siegfrieds, loved their naturalness and musicality, but, perhaps, wanted more transparency, transient speed, musical authority, or power, then get to a VTL dealer to experience the IIs… Read the full comments here…
– Lee Schwartz, Purdue University, Siegfried II/TL7.5 III/TP6.5 Owner, October 2012
…. I can advise that your amps ROCK! There are so many areas of improvement, that span the spectrum from lowest octaves right up through to the stratosphere, that comments on tonal changes become irrelevant. These amps are just as wide open and transparent (pardon the over-used pun) that one is aware of music from a totally different frame of reference. Now I find myself listening to the complexities of the musical performance and how instruments are being played or vocals sung, rather than to the sound per se. I think this is a major step up from anything I have previously enjoyed because it is on a totally new level. I find myself listening to a wider range of music and immediately being engaged and getting involved in it… it is a cold & rainy day so I am off back into the listening room to spin some more vinyl. Well done to all the team… a triumph !
– Paul Quilter, VTL Distributor, New Zealand, November 2012
Since its introduction in 2003, VTL’s Siegfried Reference monoblock amplifier has been recognized as the leader in the world of high power, high performance amplifiers, both for ease of use and musicality. Known as the first tube amplifier to deploy true Auto Bias and Fault Sensing, as well as precision-regulated power supply technology, the Siegfried amplifiers have won the loyalty and appreciation of serious music lovers around the world.
The new Series II version of the renowned Siegfried platform features a complete re-working of the entire signal path. Upgrades include a fully balanced differential input stage driving a differential phase splitter and a lower impedance push-pull output stage with a dramatically improved, fully balanced and enhanced interleaved and coupled output transformer. VTL’s engineering brings the renowned sonic performance of the innovative Siegfried Reference platform to even greater heights.
The new Siegfried Reference monoblocks gain further sonic benefits with a shorter, faster and fully balanced negative feedback loop, with zero global negative feedback. The negative feedback loop completely eliminates ringing and requires no capacitor compensation to maintain critical phase integrity and information. The result is an amplifier that remains stable even under the most demanding loads.
Adjustable precision-regulated plate, screen and bias supplies hold the output tube operating point constant even under AC and main power supply fluctuations, and stabilizes the critical power supplies yielding tonal stability and sonic integrity especially during complex, dynamic signal conditions.
Another new feature is a user adjustable Damping Factor feedback control that allows the user to adjust the amplifier’s output impedance by varying the amount of negative feedback. Impedance can now be precisely set to suit the listener’s taste, and to improve control of the loudspeaker loads to deliver best performance.
The 4 possible settings are:
- LOW – Lowest damping factor, good loudspeaker control, most natural sound.
- MED – Better loudspeaker control, with some impact on sound quality
- HI – Best loudspeaker control, with a little more impact on sound quality, but on speakers that need the control the sonic improvement is clear
- MAX – Maximum damping factor, but sonic impact is noticeable
Finally, the amplifier has been substantially re-voiced with premium Mundorf silver oil capacitors, for a sweeter, more extended top end and mid range tonality that sounds more relaxed, with better flow and integration. Input stage capacitors are also bypassed.
Even a brief listen to the new Siegfried Series II monoblock reveals the successful implementation of the new technology. The mid bass has more authority and control while the critical midrange exhibits a new effortlessness in reflecting the natural instrumental colors and timbres. This greater sense of ease and control of the critical mid bass and midrange area enables the top end to sound completely natural and unconstrained.
With its massive power handling capabilities, the Siegfried has always excelled at delivering effortless speed, dynamics and real control in the bottom end, with an almost organic bass quality. With this new version, even at low level listening one can enjoy the nuances and micro-dynamics of music. The Siegfried II scales up from handling the smallest intimate performances to the largest orchestral fanfares with ease. It strikes the perfect balance between seemingly endless weight and authority, and effortless finesse.
- Fully balanced differential circuit – single-ended signal produces balanced signal at output
- Re-designed fully balanced differential input and driver stages for increased signal swing, bandwidth and stability
- Zero global Negative Feedback
- Shorter, faster feedback loop for greater tonal control without phase shift.
- Improved handling of loudspeaker loads for greater signal stability.
- The amplifier is unconditionally stable, without the need for any capacitor compensation.
- New current source for lower sonic impact in single-ended mode
- Lower impedance output stage for improved loudspeaker control
- Dramatically increased interleaving and coupling in the balanced VTL proprietary Reference output transformer, for wider bandwidth and zero ringing
- Variable user-adjustable DF feedback control to vary output impedance and damping factor for optimal matching to speaker load
- Software microprocessor controlled
- Tetrode/Triode Switchable
- Auto Bias, Fault Sensing
- Current in-rush limiting
- Standby Mute function; with reduced tube current for increased tube life
- Fully bi-directional RS-232 control
- 650 watts per channel in tetrode; 330 watts per channel in triode
- Uses twelve 6550 or KT-88 tubes per monoblock
- Adjustable precision-regulated plate and screen supplies for stable operating point; discrete regulated input and driver supply for greater signal resolution and tonality
- Adjustable precision-regulated bias supply for greater signal resolution and noise rejection and improved isolation from mains supply variations; output operating point does not change with AC power fluctuations
- Improved Autobias and fault sensing system to operate in fully balanced differential mode; amplifier is fully protected against output tube failure; no need for precision matching of output tubes
- All premium Mundorf silver oil caps in signal path
- Film bypass of power supply caps for greater HF resolution
- Extruded aluminum front panel with luxurious, modern look – black and silver options available
- Precision regulated B+ and screen supplies
- Rigid construction and improved ventilation for lower operating temperature
- Factory upgradeable from Series I
|Vacuum Tube Complement||12 x 6550 or KT-88, 1 x 12AT7, 2 x 12BH7|
20Hz – 20kHz <2.5% THD
|Tetrode: 650W, Triode: 330W
|Input sensitivity||Variable between 1-2V, depending upon DF setting|
|Optimum load range||4Ω – 8Ω|
|S/N Ratio||-110dB, 120 Hz|
|Power consumption||Idle = 600W, Full power = 1500W|
|Primary mains fuse ratings||100/120V = 20A Ceramic Slo Blo, 220/240V = 10A Ceramic Slo Blo|
|Logic fuse||100/120V = 1A Ceramic Slo Blo, 220/240V = 1A Ceramic Slo Blo|
|Input fuse||100/120V = 2A Ceramic Slo Blo, 220/240V = 1A Ceramic Slo Blo|
|Filament fuse||100/120V = 2A Ceramic Slo Blo, 220/240V = 1A Ceramic Slo Blo|
|Secondary fuse rating||Plate Fuse = 5A fast acting 600V, Screen Fuse = 0.75A fast acting 600V|
|Dimensions W x D x H||11.5 x 24 x 24 inches (29.2 x 61 x 61 cm)|
|Weight||200lbs (90Kg) per monoblock unpacked, 325lbs (147Kg) packed|