Kompromisslösa högtalare för sanningssökare.

YG Acoustics bygger världens bästa högtalare om man är överens om att uppgiften för en högtalare är återge musiksignalen så korrekt som möjligt. En av de största utmaningarna för en högtalare är att återge frekvens-tid-fas förloppet i inspelad musik. Att få flygeln att låta som en flygel gör i verkligheten är ingen enkel uppgift. Svårigheten ligger i huvudsak i delningsfiltret. Mjukvaran som används av majoriteten av alla högtalartillverkare tvingar konstruktören att optimera mellan korrekt frekvensgång eller rätt tid/fas-förlopp. YG Acoustics har utvecklat en helt egen mjukvara – DualCoherent™ för att konstruera delningsfilter.

Titta gärna på de mätningar som elektronikföretaget Devialet gjort på ett flertal olika högtalare på marknaden. De mäter just frekvens-tid förloppet på en riktig musiksignal. Det är ingen slump att YG Acoustics Sonja 2.2 är den högtalare som mäter bäst.

Devialet SAM Ready Speakers

Men vad gör det för dig som musikälskare. Man vill ju lyssna på musik, inte mäta sina högtalare. Jo, det är rätt viktigt. Du har säkert någon gång hört en audiofil prata om vilka inspelningar som låter bäst på deras hifi-system, och vilka inspelningar som låter riktigt dåligt. Det beror ofta på att frekvensgången är fel. Ofta kan felen vara runt 12 dB eller mer i en viss frekvens. Då är det inte konstigt om en viss inspelning med ett visst sound kan låta helt fel.  Det är klart att det finns musikproduktioner som inte bryr sig om ljudkvalitet speciellt mycket, men oftast hade artisten och producenten en idé med sitt verk. Om den idén var att skapa ett varmt, basrikt sound, och din högtalare har en kraftig baspuckel är det sannolikt att det albumet kommer att låta rätt dåligt.

Med ett par YG-högtalare hemma kan vi lova att du kommer att njuta av hela din musiksamling på ett nytt sätt, även de album du tidigare trott var bortom njutning. När det gäller musik är sanningen extra viktig.

Högtalare

Cairn

Tor

Talus

Ascent

Summit

Subwoofer

Descent

Stativ

Cairn stativ

Tor stativ

YG Reference Series, rekommenderade cirkapriser SEK inkl. moms, september 2023.

 

Reference series

XV 3 (fyra kabinett), 5 232 000 kr

XV Studio 3  (fyra kabinett), 3 934 000 kr

Sonja 3.1, 897 400 kr

Sonja 3.2, 1 386 000 kr

Sonja 3.3, 2 055 000 kr

Hailey 3.1, 584 000 kr

Hailey 3.2, 888 000 kr

Vantage 3, 584 000 kr

Carmel 3, 417 000 kr

Sonja 3C  Center, 539 000 kr 

Hailey 2 R, 584 000 kr

Subwoofer

Basis, 364 000 kr

Basis Duo, 644 000 kr

Basis Trio,924 000 kr

Invincible 21.1, 924 000 kr

Invincible 21.2,  1 680 000 kr

Reference series Live

Kompletta aktiva musiksystem

Vantage 3 Live, 910 000 kr

Sonja 3 Live, 2 080 000 kr

XX 3 Live, 3 400 000 kr

 

Rack

Rack 1.1, 73 000 kr

Rack 1.3, 277 000 kr

Rack 1.4, 370 000 kr

Rack 1.6, 493 000 kr

Rack 1.8, 637 000 kr

Rack 1.9, 708 000 kr

 

Tillbehör

XV3 Studio plinths (4 st), 420 000 kr

Sonja 3.2 plinths (2 st), 210 000 kr

Sonja 3.1 stativ (2 st), 67 000 kr

Sonja 3C stativ (1 st), 33 500 kr

Haley 3.1 stativ (2st), 33 500 kr

Haley 3R väggfäste (2 st), 22 400 kr

 

 

 

Färger: 

Standardfinish: Svart eller silvereloxerad
Chrome Allure: Signal Red, Dark Bronze, Dark Copper, Baltic Blue, Persimmon, Thunderstruck Yellow, Bismarck Gold eller Rose Gold
Premium High Gloss: Svart eller vit högblank. Custom colors går också att beställa.

 

Obs! Priserna kan ändras utan förvarning.

YG Acoustics, rekommenderade cirkapriser SEK inkl. moms. 2023-01-25

Stativhögtalare

Cairn: 115 000 kr

Cairn stativ: 20 000 kr

Tor: 140 000 kr

Tor stativ: 20 000 kr

Golvhögtalare

Talus: 190 000 kr

Ascent: 266 000 kr

Summit: 336 000 kr

Subwoofer

Descent: 105 000 kr

 

Obs! Priserna kan ändras utan förvarning.

YG Acoustics, rekommenderade cirkapriser SEK inkl. moms. September 2023

 

Uppgraderingar av befintliga modeller

XV 3 Studio to XV 3, 1 610 000 kr

Sonja 3.2 to 3.3, 826 000 kr

Sonja 3.1 to 3.2, 685 000 kr

Hailey 3.1 to 3.2, 426 000 kr

Invincible 21.1 to 21.2, 907 000 kr

Basis to Basis Duo, 336 000 kr

Basis to Basis Trio, 672 000 kr

Basis Duo to Basis Trio, 336 000 kr

 

Uppgraderingar till 3-serien

Uppgradera till Lattice Tweeter, alla modeller, 100 800 kr

 

Uppgradera till Lattice Tweeter och V3 delningsfilter

Carmel 2,  213 000 kr

Vantage, 241 000 kr

Hailey 2.1, 199 000 kr

Hailey 2R, 99 000 kr

Hailey 2.2, 241000 kr

Sonja 2.1 and 2.1i, 199 000 kr

Sonja 2.2 and 2.2i, 269 000 kr

Sonja 2.3 and 2.3i, 269 000 kr

Sonja C and Ci, 99 000 kr

XV Studio, 520 000 kr

XV, 520 000 kr

 

Uppgradera till Lattice Tweeter, V3 delningsfilter och ny baffel

Utförs i YG acoustics fabrik, priset inkluderar inte frakt.

 

Carmel 2, 241 000 kr 

Vantage, 276 000 kr

Hailey 2.1, 234 000 kr

Hailey 2R,  117 000 kr

Hailey 2.2, 276 000 kr

Sonja 2.1,  248 000 kr

Sonja 2.1i, 234 000 kr

Sonja 2.2 and 2.2i, 318 000 kr

Sonja 2.3 and 2.3i, 318 000 kr

Sonja C and Ci, 127 000 kr

XV Studio, 591 000 kr

XV, 591 000 kr

Vantage Live, 136 000 kr

Sonja Live, 136 000 kr

Obs! Priserna kan ändras utan förvarning.

Cairn – hi-fi news

”They’re precise without ever being clinical or sterile, and have a weight, depth and finesse that belies their compact dimensions. Few small standmounts will fill modestly proportioned rooms with such authority. They are little crackers!”

Andrew Everard Hi-Fi News

Vantage Live i The Absolute Sound

”If you’ve ever put on a direct-to-disc LP and heard a sudden increase in that sense of presence, of the removal of “something” between you and the music, you have an idea of how Vantage Live sounds. The Vantage Live has a crystalline clarity, a dynamic verve, and an immediacy that are striking, much in the way a direct-to-disc LP exhibits those characteristics.”

The Absolute Sound

Carmel 2 – The Absolute Sound Editor’s Choice 2023

”Imaging, tonality, detail, and dynamics are all at a bespoke level. Musically, the speaker is an unending delight.”

The Absolute Sound

Hailey 2.2 – The Absolute Sound Editor’s Choice 2023

”Sonically, the Hailey 2.2 can be summed up in two words: precision and performance. In these regards, the Hailey 2.2 is at least the rival of the best electrostatics and ribbons, says AHC, producing excellent detail and microdynamics at every frequency. Being a sealed design, the Hailey 2.2 is less sensitive to room interaction in the bass than most ported speakers.”

The Absolute Sound

 

Sonja 2.2i – The Absolute Sound Editor’s Choice 2023

”What has been added sonically to the 1.2’s already superb performance is even greater resolution, ease, and general felicity. The Sonja 2.2 is a speaker that serves the music, no matter what kind. A major achievement.”

The Absolute Sound

Sonja 2.3i i The Absolute Sound Editor’s Choice 2023

”Sonically, the Sonja 2.3 delivers world-class performance, with a spectacular sense of presence, transparency to sources, and palpability. Its bass is extended, powerful, and articulate. Its overall coherence, as well as its ability to portray a wide range of image sizes, is exceptional.”

The Absolute Sound

Sonja 2.2i – The Absolute Sound

”Imaging and soundstaging became more holographic and believable as a rendering of actual music-making in a physical space. The Sonja 2.2i is a wonderfully musical, accurate, and coherent full-range floorstander.”

The Absolute Sound

”YG’s DC2 crossover improves the Sonja 2.2i’s overall sound quality more than I imagined was possible, and I presume similar or greater improvements are conferred on the upper Sonja models, as well. It is as if a key piece of a building were put in place, and the integrity of the entire structure became more robust.”

Kirk Midtskog – The Absolute Sound

Sonja 2.2i – audioroom.net

”I absolutely fell in love with the double bass through the YG, mainly because under their command it was a truly acoustic instrument, without euphonic amplification, without any added audiophile candy, and without the – often attractive – super tightness. It was very real, and I dare say it was the most faithful (not to say the most attractive) playback of a double bass I have ever heard through any audio system.”

audiodrom.net

 

YG Acoustics Carmel 2 Editors' Choice Award 2023

The least expensive YG may be small in stature, but it’s a huge achievement. The Carmel 2 sounds bigger than it is, goes deeper and higher than it ought to, sidesteps all manner of intrinsic obstacles, and ultimately delivers a captivating musical experience. In addition, for those building a compact reference system destined for a shared-use space, the Carmel 2’s unimposing dimensions, positioning versatility, and universally appealing aesthetics make it particularly compelling. If you never thought you’d find all those virtues in one speaker, you’re in for a nice surprise

Alan Taffel, The Absolute Sound

YG Acoustics Sonja 2.2i Editors' Choice Award 2023

”What has been added sonically to the 1.2’s already superb performance is even greater resolution, ease, and general felicity. The Sonja 2.2 is a speaker that serves the music, no matter what kind. A major achievement.

Kirk Midtskog, The Absolute Sound

YG Acoustics Hailey 2.2 Golden Ear Award 2020

“The Hailey 2.2 gets so much right and offers so much trickled-down technology that one could make a compelling argument it represents the performance/price sweet spot in the YG line. It actually comes pretty darn close in overall performance to the nextmodel- up Sonja 2.2 in bass extension, dynamic range, and soundstaging.”

Kirk Midtskog, The Absolute Sound

Sonja 2.2 i hifi+

”The Sonja 2.2 is a remarkable loudspeaker that delivers much of the sonic excellence of YG Acoustic’s flagship Sonja XV, but that is more accessible in both a financial and physical sense. The speaker is so revealing that it requires topclass ancillary components to give of its best, but it will reward its fortunate owners with extraordinary musical experiences for many years to come.”

Chris Martens, hifi+

YG Acoustics Hailey 2.2 Editors' Choice Award 2023

”Sonically, the Hailey 1.2 can be summed up in two words: precision and performance. In these regards, the Hailey 1.2 is at least the rival of the best electrostatics and ribbons, says AHC, producing excellent detail and microdynamics at every frequency. Being a sealed design, the Hailey 1.2 is less sensitive to room interaction in the bass than most ported speakers.”

 The Absolute Sound

Grand slam för Hailey 2.2

Cost-No-Object loudspeaker of the year och Editors choice i hifi+.

”The Hailey 2.2 shares more than a few sonic characteristics with the state-of-theart Sonja XV. It is a terrifically revealing and musically expressive loudspeaker that is scaled perfectly—UK and European readers please take note—to deliver extraordinary results in moderately sized listening spaces. To hear them is to want them.”

Chris Martens, hifi+

YG Acoustics Sonja 2.3 Editors' Choice Award 2023

A larger version of the Sonja 2.2, the 2.3 adds a passive bass module on which the rest of the speaker is mounted. Sonically, the Sonja 2.3 delivers world-class performance, with a spectacular sense of presence, transparency to sources, and palpability. Its bass is extended, powerful, and articulate. Its overall coherence, as well as its ability to portray a wide range of image sizes, is exceptional. It is as adept at reproducing an orchestra as it is a solo acoustic guitar.

 The Absolute Sound

YG Acoustics Hailey 2.2

”Hailey 2.2 is my new reference speaker.”

”In my opinion, every high end manufacturer should buy a pair to see if they can exceed its reference-level musicality or match it for less money. It’s that good.”

Phil Gold – Enjoy the music.com

Sonja XV i hifi+

“YG Acoustics Sonja XV stands as the finest and by far the most accomplished loudspeaker I have yet heard, and by no small margin at that.”

by Chris Martens, hifi+

Vantage i hifi+

”It was a hi-fi moment that stopped me in my tracks and led me to marvel that this (or really any) loudspeaker could so faithfully render the beauty of the music at hand.”

by Chris Martens, hifi+

Carmel 2 i NOVO Magazine

The writer gave YG Acoustics the highest honor, by purchasing the review pair for his own reference system.

“I tried Bach’s Passacaglia and Fugue to see how well the Carmel would fare on deep organ notes, and I could not have wanted for more. The whole room was energized.”

NOVO Magazine